From 2005 to 2008, I spent many hours engraving plates of zinc and copper,  as well as wood and linocut, making prototypes of what would later become the collections named “Coke linocut”,  “Dulcamara project”,  “Perugino Docet - Faith Victims” and “No Logo”. I fondly remember the small Tiber Printing House in Trastevere where I worked. A place where work and  passion for art are inevitably tangled.